When the time came for Angela’s luxury to be announced, Mark and Alexander came up from the audience and on to the stage. RC I know that you lived in New England for a while, but I presume this is the first time you’ve really spent in the Midwest. The atmosphere was so permeated with the Republican virtues. AC: It’s not very pleasant for women to find out about how they are represented in the world. AC The idea that maleness is normative and that women’s difference from men is somehow pathological. Wolves in the wild are really quite safe, they don’t mess with human beings unless they’re bothered by them. ?” It is the reference to Marianne Wiggins that dates the card. Yet, you have said, “Myths deal in false universals to dull the pain of particular circumstances.” Do you think this critical emphasis is misplaced? I’m glad. Is that a feeling you share? I think that Godard was using the word myth in the same way that Barthes is as well. No big fiction had been left unpublished. Susannah Clapp is the Observer’s theatre critic, A Card From Angela Carter by Susannah Clapp is published by Bloomsbury on 16 February, £10. I was discussing the Borges idea that books are about books. You don’t have to be a woman to understand what she’s saying, but you have to position yourself in a certain way to understand her pieces, to see what she’s getting at. The penultimate number was Bob Marley’s “No Woman, No Cry” and the final record was one of Richard Strauss’s Four Last Songs; Hugh said that was something on which she would never have alighted had she not been ill. RC Had you always wanted to have a child? I have a minor but quite passionate interest in natural history, I’m a Darwinian. Obviously anybody could read her. Her mother indicated that if her daughter got a place at Oxford, she and her husband would be likely to get a flat or house nearby: “I think that’s when I gave up working for my A levels,” Angela explained. Her disregard not only for fashion but for neatness was a dirty-strike display. Sign and sense can fuse to an extent impossible to achieve among the multiplying ambiguities of an extended narrative.” Do you see yourself staying in this genre? Texas chili, it goes through you like a dose of salts. That novel is set at exactly the moment in European history when things began to change. There was one thing in the movie The Company of Wolves, when the werewolf-husband says he’s just going out to answer a call of nature, and one of the critics wrote to me and said, “I didn’t even notice this the first time.” That’s the sort of thing I like doing. A week later I returned home to a stack of unread newspapers and very sorrowful news; while I had been struggling with moguls, Carter had succumbed to cancer. He specializes in heavies—gangsters, Nazis and so on. The point seemed to be the here and now, what we should do now. She did not write down gossip (though she liked gossip), and wrote little about her friends. 14.3) Crammed in with all the other gear This area is uncrowded, with many trees and … Part of the point of the novel is that you are kept uncertain. A kite hung from the ceiling of the sitting room, the shelves supported menageries of wooden animals, books were piled on chairs. I mean most people would prefer to be artists than to work for Ford in Dagenham after all. I was doing a piece of writing, an appreciation of this artist, Barbara Kruger, who does photo montage with text. She made, again and again, lists of books and lists of films (Jean-Luc Godard featured frequently). Well, it didn’t matter too much 100 years ago. I think it’s one of the scars in our culture that we have too high an opinion of ourselves. How inconvenient to have wings, and by extension, how very, very difficult to be born so out of key with the world. But she would not be comforted. AC: I used to be more interested in it. It was trying to say things about something that still possesses me quite a lot. RC Women writers frequently adopt a tone or an attitude toward their female characters which is somewhat negative and ungenerous. I’m interested in justice, really. RC I wanted to ask you about mythology in general and its place in your work. But I see my business, the nature of my work, as taking apart mythologies, in order to find out what basic, human stuff they are made of in the first place. It’s risk taking of the highest level and it very often, and quite usually, leads to tears before bedtime, as my mother would have said. I’m also interested in human beings’ projections upon animals of negative qualities, which very often the animals don’t have. It will be a television movie, at least initially, and so, of course, the budget is much lower than it was for Company of Wolves. She lost about 38 kilos in six months and suddenly looked completely different. 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